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Working with the Tutankhamun archive often involves returning to material that has been studied for decades and asking what else it might still contain. For Jenni Navratil, digital imager at the Griffith Institute, this process begins with the image itself: how it was made, how it can be viewed, and what different viewing methods can reveal.

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Although part of the University of Oxford, our activities are funded independently through Professor Griffith's original endowment, the resources of which are now limited and cover only essential expenses.