TAA i.2.12a.1.43.recto
© Griffith Institute,
University of Oxford
(43)
Under blue faience/<glass> panels there is a highly siliceous
material – i.e. between body of faience & wood of box.
On some of the blue faience/<glass> inlay (hands)
Box No 44 are designs in gesso gilt
Outside covered with gesso <on> gilt and with inlay:
The gold in places is <fairly bright> yellow: in places dull is light
red: in places blood red: colour irregularly distributed
Inlay. Blue <Panels> = faience/<Glass>: Dark blue & green oblongs = probably faience
Red = glass Dark blue, red & green strips = glass
Small[?] Inlay Blue & Green = faience glass } faience/<Glass> panels with inlaid
decoration round
Small Pieces of Inlay <(oblongs)> Like natural stone edges.
The faience/<inlay> shows a surface deposit soluble in
water – smells of glue when wet & froths
(? from gesso or from cement)
The red of the gold washes off with water
Brushed with dry brush.
Sponged with damp sponge & brushed faience/<inlay>
repeatedly with damp brush.
Stuck in loose inlay <& loose gold> with cellulose acetate
cement
Some surface disintegration of the natural stone
Under the <gilt> gesso ornamentation on the blue faience
panels there is coarsely woven fabric.
Some of <gilt> gesso design on faience on lid is less than
1 mm thick
On one of the panels on the lid part of the blue
faience/<glass> has become black.