TAA i.12.18.recto
© Griffith Institute,
University of Oxford
(6)
THE FIRST COFFIN.
112|705. THE FIRST COFFIN LYING WITHIN THE SARCOPHAGUS.
113|707. THE HEAD OF THE EFFIGY UPON FIRST COFFIN.
Note:- Carved of an oaken wood and overlaid with sheet gold.
Upon the forehead are <the> two insignix[?]/<a> delicately worked in gold
and inlaid – the vulture Nekhebet of the South, the serpent
Buto of the North, symbols of the kingdom of Upper and Lower
Egypt. But perhaps the most touching of all was the fact that
around those emblems was a tiny wreath of flowers. I can assure
you, among all that regal splendour, that royal magnificence,
everywhere the glint of gold, there was nothing so touching as
those few withered flowers,/<.> s/<S>till retaining their tinge of colour,
they told us what a short period three thousand three hundred
years really was – but Yesterday and the Morrow. In fact, that
little touch of nature made that ancient and our modern civil-
ization kin.
113a|708. THE HEAD OF THE EFFIGY, FRONT VIEW.
Note:- Thus, from stairway, steep descending passage, Antechamber
and Burial Chamber, from golden shrines, and from that noble
sarcophagus, our eyes were turned to its contents: a golden coffin,
in form a recumbent figure of the young boy king, symbolising Osiris,
or, it would seem by its fearless gaze, man’s ancient trust in
immortality.
THE SECOND COFFIN.
114|721. UNCOVERING THE SECOND COFFIN
115|724. THE SECOND COFFIN WITHIN THE FIRST COFFIN.
116|727. THE LID OF THE SECOND COFFIN.
Note:- Like the former coffin it is carved of an oaken wood, oe/<v>er-
laid with sheet-gold, but in this case sumptuously in laid with
polychrome glass imitating red jasper, carneleansic, lapis lazuli and
turquoise.