TAA i.3.6.16
Typewritten copy of notes made by Nina Davies (for originals, see TAA i.3.6.4, TAA i.3.6.5 and TAA i.3.6.7). Harry Burton is mentioned on this page.
© Griffith Institute,
University of Oxford
Casket 21 (contd.) 2
and have a granulated appearance. On the skirts the yellow is raised quite
thickly above the green leaf-like pattern (note on necklaces on p. 2). Is
it possible that gold dust was mixed with the r/<p>aint to give richness – on the
ivory casket bracelets and other parts are overlaid with gold leaf and it may
be gold was also used on the wooden box. No such treatment or texture of
yellow paint is known to me in the tombs.
Hunting wild asses, ostriches etc.
Actual size = 6 ¼ x 19 ½ to edge of chequer border. Burton’s
photo from which the painting is drawn = 6” x 19” – There is a slight distortion
top and bottoj/<m> and on both sides since the cover is vaulted and this rather
affects the legs of the animals at the base. The top has been corrected as
there was space.
The lid has both ends above the king as a sphinx decorated similarly.
The knob corresponding to the one below is also missing here.