TAA i.3.6.1
Handwritten notes on the painted casket, page 1.
© Griffith Institute,
University of Oxford
Casket 21.
Notes on the end panel of Tutankhamun’s
painted casket – the king as a sphinx
treading down his enemies.
The almost entire absence of red except for
sketch lines & a few outlines is peculiar.
Instead of the sequence in patterns blue-green, blue
xxx[?] red-blue, there is blue, green, blue, yellow,
blue. The yellow is granular in texture when applied
thickly & transparent when used as a wash over white,
as in the cartouches. It seems to be orpiment which
has almost the effect of gold <dust>; (cf. touches on Princesses in
Ashmolean). The paraffin wax applied by Carter to
preserve the casket has undoubtedly darkened the
blues & greens which had already darkened
with age. So the present colours do not correspond
to those originally put on. It is very difficult to
determine what was dark blue – so near to black
has it become. The greens too have only here & there
their real tint. I have tried to show the difference
between blue & black (without getting too far from
the present colouring) which one knows from